The vases are made of white porcelain without glaze.
The delicate, almost fragile forms are assembled from narrow strips of clay, layer by layer.

The texture and fingerprints remain visible—as traces of the process and the presence of the body.
The material is not hidden or polished to perfection, preserving a lively, honest surface.

These vases exist on the border between form and touch,
where the object preserves the memory of gesture and time.

The ceramics are produced in limited series.
The thin white porcelain cups retain the lightness of form and tactile sensitivity of the material.

Sometimes a blue pigment appears in the object—as an accent, a trace, or a shift in rhythm.
The color does not dominate, but enters into a dialogue with whiteness and emptiness.

Each series is an exploration of the balance between function and sensation,
where an everyday object becomes part of a slow, conscious ritual.